<?xml version="1.0" encoding="UTF-8"?><item href="/issues/behind-scenes.html" dsn="news"><item_date>03/30/2012 12:00:00 AM</item_date><category_header/><title>Behind the Scenes</title><subheader/><description>Learn about the equipment, lighting and planning techniques a UNT photographer used to create the dramatic photos of Dallas police detective and former SWAT officer Rich Emberlin ('86) for The North Texan.</description><author>Gary Payne, UNT photographer</author><photographer>Gary Payne </photographer><image> <img src="/sites/default/files/default_images/diving-eagle_356_0r_0_1_fade_1_0.png" width="900" height="676" alt=""/></image><taxonomy-story-type/><taxonomy-cultural-story-category/><taxonomy-news-sections/><taxonomy-college-department/><taxonomy-tags/><type>story</type><categories/><relationships/><main-content>
    
    
  
    
      
      
              
    
    “Freeze.”

That’s what Detective Rich Emberlin(’86) would probably say when confronting a criminal.

OK, he may not say “freeze.” But that’s what I said when taking his portrait for the alumni featurein the spring issue of The North Texan. With a camera exposure of more than a second needed for the photo, he had to stand still or be blurry.

As soon as I got the assignment, I began planning how I was going to take the photo. I wanted it to be dramatic and to show Emberlin in his work environment. He offered to help add to my background with the use of the Dallas Police Department SWAT vehicle. So with that I began diagraming how my portrait would look and taking practice shots in the studio. It took me a few weeks to work out the lighting scheme.

I used eight flashes to “freeze” Emberlin in the photo: three large flashes like those you would use in a studio, and five smaller flashes like those on a camera. All were wirelessly synchronized to my camera on the tripod. Each flash was directed to a spot either on Emberlin or the vehicle.

We took the photo in the parking lot of the SWAT headquarters in east Dallas. I had wanted to capture a nice dark blue sky as the sun set, but the sky was still overcast. I think, though, that the black evening sky added to the personality of the background and the overall picture. It took three hours to set up, shoot and break down the set for the portrait and a day to select the best photograph and work on toning and color balancing.

But all of the planning, lighting and editing wouldn’t have mattered if Emberlin hadn’t been willing to help make a great photo. In the end, he is what makes the picture work.

Photo data


	Lens focal length: 116 mm
	Film speed ASA/ISO: 100
	Lens aperture: f/2.8
	Shutter speed: 1/1.6 seconds


Photo equipment


	Nikon D3s camera
	Nikon 70-200mm f/2.8 lens
	Five Nikon SB 900 flashes
	Three Broncolor flash heads
	Two Broncolor battery packs to provide power to the flash heads
	One Broncolor snoot to focus light
	Five light stands of various heights
	Six Pocket Wizard receivers and One Pocket Wizard transmitter to trigger the flashes
	One large strip softbox about 1 foot wide by 4.5 feet long to diffuse the light
	One Honl snoot used as flag to prevent flash glare
	Three Honl white reflectors to help prevent flash glare of Nikon SB 900 flashes
	One orange gel used to spotlight part of Rich Emberlin
	Two black flags to block flash glare
	One blue gel used on three SB 900 flashes to light vehicle
	One tripod
	Two sand bags to hold down light stands
	One roll of black gaffer tape

  


  
    Read more about Rich Emberlin

Read a Q&amp;A with Rich
  



    
  </main-content></item>